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This is the first in a series of articles that describe my thoughts on writing fantasy fiction. I’ve read a few books that claim to teach a person how to write fantasy, and I didn’t like any of them. Each book was a step-by-step spoon-feeding session that used cookie cutter techniques to “teach” a person how to write one specific type of story. I want to discuss considerations more than specific techniques. I want to explore a way of open-ended thinking that I hope will allow you to develop diverse, living fantasy stories. With that said, let’s get to work right away. I’ve broken this discussion into three areas:
In all honesty, these three areas can’t be completely segregated. Each one affects the other two, but we have to organize it somehow and start somewhere. For better or for worse, this is my system. Story Elements (Two from many)A quick Internet search will produce hundreds of documents that discuss all the parts that make a story (theme, mood, tone, conflict, etc.) I’m concerned with only two. The first is plot, which we’ll address in a moment. The second is something that many texts fail to mention, but I’m convinced it is of paramount importance to a fantasy writer. I’m talking about scope. Scope and plot work together to determine how much effort a story will require. You probably have a million ideas running through your mind. Cool fight scenes, sexy babes in distress, horrible monsters, dark caverns, and so much more are flying around inside your skull as you try to get a handle on the story you want to write. Stop. Take a deep breath. Focus. Get a piece of paper and a pen. Concentrate on the basic plot. Don’t worry about names of characters, names of places, the distance between cities, or how many ways your dragons like to cook virgins. There will be a time for as many minute details as you want to generate, but that time is not now. Right now, you need to write a generic, but structured, plot. It will probably read like a stripped-out summary of your story:
This plot isn’t very helpful as a writing tool, but it will help you devise the scope of your story. Does the story take hours, days, weeks, years, or eons to complete? Does it span a single cave, a town, a barony, a kingdom, a world, or a multiverse? Are the main characters peasants, warriors, heroes, nobility, kings, queens, or gods? Do the events of the plot change minor aspects of life for a few people, or is the entire world changed? Perhaps the very fabric of time is altered. Does the story involve one person, a few, many, or armies? These are questions of scope, and they’re essential. The answers to these questions will determine how much work lies ahead of you in terms of world building and character creation. A story that involves a peasant child in a single cave will require less work than a story that has legendary heroes at the heads of armies that battle between parallel planes of existence. A single town is much easier to design than an entire world. A basic plot and a solid understanding of the story’s scope will make it possible to organize and design the rest of the groundwork. We still need to build a world, (or a portion of one,) and we need characters. Tune in next time to read Fantasy 102: World Building
He sat around her, Rains poured down, She needed him An excerpt from a novelette Shannon wrote in the late nineties. This section was published in Confluence a few years ago. It is unclear if he will do anything more with the project. It’s too short to stand on it’s own and too long to be a short story, but Shannon has no desire to change the story in any fashion. Here are a few ways to entertain yourself the next time you find yourself at Walmart and losing the fight for your sanity. Shannon has personally tested all of these methods at some point in his life, so he can vouch for their therapeutic and medicinal effects. Since I learned the words to ask the question, I have wondered why I exist. As a child I imagined I was intended for something great, some awesome destiny. The feeling persisted into adolescence and adulthood, though by the time I was grown I had put it aside with other childish things. But the questions remained: Why am I here? What am I meant to do? Pain taught me that it is wrong to live for another, to expect them to magically instill happiness and dispel all woes, but the same pain made me believe in the existence of soul mates. I realized that a woman exists out there somewhere who I can love better than anyone else, a woman who will never be whole without me just as I cannot be whole without her, and to find her, to complete us both – well, that would truly be a great and wonderful destiny. And so that is my answer to the question. Why do I exist? I exist because you exist. Since the day I was born, I have carried and protected a piece of your spirit within me, just as you have part of me inside your heart. It must be this way because we both have our moats, walls, and traps to keep the world at bay. The part of me that is in you will open your heart from the inside, just as your spirit in me will allow you to walk through my walls. I have no defenses against you, no protection, but I do not fear you because to hurt me is to hurt yourself. I have a puncture in my heart that flares with pain like an angry sun. It is a hole without bottom, a gaping maw that can drink oceans and still thirst, devour planets and still hunger. You are the only one who can mend it. You have the missing piece. I know you understand me. I know you have emptiness in you as well. You must, because I have the missing shard right here with me. You will know me when you find me. I am the one who holds peace in my hands. In the darkest night, you are safe in my arms. No shadow will have you while I breathe. I am the one who knows you are still a child inside, and I love you for it. I am the one who will accept you, never judge you. I am the one who will give you wings to fly. I am the mountain that will protect you when you tire of flying. I know how to touch you before you even know yourself. I can give your body everything it craves. I can cherish everything your body can offer. I am the scent that lingers in your mind as you wake. I am the voice you hear as you drift into sleep. I am the reason you sometimes smile or laugh without knowing why. I am the bird in the cage of your heart, always singing, never letting you abandon your search for me. I am the one you see when you stand before the mirror and look into your own eyes. I am your friend and your lover, your knight and your fool, your angel and your demon, your master and your slave. I am me. I am yours. * * * * * * * * * * * * * * * * * * * * Author’s Note: I wrote these words in 2005. At that time I didn’t think they were written for anyone but me. I wrote them just to get the words out of my head where I could see them and deal with them. Since then, many people have read this and taken what they wanted from them, but the work still belonged only to me, or so I thought. I now realize that these words were never entirely mine. They also belong to the woman I described. No matter what happens in the months and years to come, these words will always belong to Natasha Anderson. I love you, and I need you, baby, and I thank God that we found each other. “The End of Innocence” has also been called “The End of Childhood.” Regardless of what you call it, most people find it humorous. This story won first place in the humor category of the 2006 WV Writers’ Competition and will be printed in an upcoming anthology, a “Best of” collection of the contest’s finest winners over the last ten years.
Once I beheld a goddess in all her glory. She is the evening star, I soar higher nonetheless, When I plummet to earth, Winter is coming, so the Winds say, the Sun drags low in the sky, bleeding as if it were a charm or chant or spell while we breathe, these words have no end. I was fourteen when I asked Dad about his beard. “I spent two years killing gooks for Lyndon. Your mom kept me sober when she could, “I stopped drinking in 1980, sat down and cried In ’82 the Feds immortalized my fears “Union Carbide killed thousands of Indians in ‘84 I’ve gotten plenty of grey hairs, and quite a few “And there’s been more reasons for these hairs, boy. Some day you’ll step back and ponder Dad paused and stared at his miner’s belt. There are terrible dragons in this world, son, That day I was too young and too dumb to listen or care, Michael looked into Ruth’s Reznor sang, she danced with her man, their bodies melded, Reznor screamed, Michael left the party, no shadow dared conceal not caring that his inner
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