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Fantasy 101: Plot & Scope

This is the first in a series of articles that describe my thoughts on writing fantasy fiction.  I’ve read a few books that claim to teach a person how to write fantasy, and I didn’t like any of them.  Each book was a step-by-step spoon-feeding session that used cookie cutter techniques to “teach” a person how to write one specific type of story.

I want to discuss considerations more than specific techniques.  I want to explore a way of open-ended thinking that I hope will allow you to develop diverse, living fantasy stories.  With that said, let’s get to work right away.

I’ve broken this discussion into three areas:

  1. Story elements
  2. Character elements
  3. World elements

In all honesty, these three areas can’t be completely segregated.  Each one affects the other two, but we have to organize it somehow and start somewhere.  For better or for worse, this is my system.

Story Elements (Two from many)

A quick Internet search will produce hundreds of documents that discuss all the parts that make a story (theme, mood, tone, conflict, etc.)  I’m concerned with only two.  The first is plot, which we’ll address in a moment.  The second is something that many texts fail to mention, but I’m convinced it is of paramount importance to a fantasy writer.  I’m talking about scope.

Scope and plot work together to determine how much effort a story will require.  You probably have a million ideas running through your mind.  Cool fight scenes, sexy babes in distress, horrible monsters, dark caverns, and so much more are flying around inside your skull as you try to get a handle on the story you want to write.

Stop.  Take a deep breath.  Focus.  Get a piece of paper and a pen.  Concentrate on the basic plot.  Don’t worry about names of characters, names of places, the distance between cities, or how many ways your dragons like to cook virgins.  There will be a time for as many minute details as you want to generate, but that time is not now.  Right now, you need to write a generic, but structured, plot.  It will probably read like a stripped-out summary of your story:

  • Main character is left for dead by his uncle.
  • Uncle tries to force the main character’s true love into marriage.
  • Main character is discovered by dragon creature.
  • Main character regains strength and fights uncle.
  • Main character defeats uncle and is reunited with his true love.
  • Main character weds his true love, and after a few blissful years of peace, they have a son, but are unaware the child has dragon essence is in him.
  • Child is a half-breed,  is now heir to the throne, just as  the dragon intended
  • Main character traverses the continent, until he finds and slays the dragon.
  • Main character and his wife take their son deep into the country so they can live in peace.  The end (for now.)

This plot isn’t very helpful as a writing tool, but it will help you devise the scope of your story.  Does the story take hours, days, weeks, years, or eons to complete?  Does it span a single cave, a town, a barony, a kingdom, a world, or a multiverse?  Are the main characters peasants, warriors, heroes, nobility, kings, queens, or gods?  Do the events of the plot change minor aspects of life for a few people, or is the entire world changed?  Perhaps the very fabric of time is altered.  Does the story involve one person, a few, many, or armies?

These are questions of scope, and they’re essential.  The answers to these questions will determine how much work lies ahead of you in terms of world building and character creation.  A story that involves a peasant child in a single cave will require less work than a story that has legendary heroes at the heads of armies that battle between parallel planes of existence.  A single town is much easier to design than an entire world.

A basic plot and a solid understanding of the story’s scope will make it possible to organize and design the rest of the groundwork.  We still need to build a world, (or a portion of one,) and we need characters.  Tune in next time to read Fantasy 102: World Building

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Evil Tom

dcp_0017sized.jpg Evil Tom: Warping the minds of the next generation, 20 students at a time
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Sitting on the Rock at the Edge of the World (1996)

He sat around her,
clung to her with lonely desperation.
She huddled deeper into his arms and legs
and pressed against his body.
He was her shield against the world.
She was his savior from himself.
The chill wind flung their hair
into impossible puzzle-tangles.
He shuddered
with her shivers.
She breathed
his breath.
God painted
the sky with water colors.

Rains poured down,
blurred the line between dark granite
and brooding horizon.

She needed him
while sky hammered earth,
but the lashing torrents had to end sometime.
Was her trembling all that shook his body?
Was the rain all that flooded his features
before he pulled her even closer
and buried his face in her hair?
He never told, and
she never knew,
while rain battered their flesh
and winter winds brushed
the pastel sky painted by God.

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Salt & Pain

An excerpt from a novelette Shannon wrote in the late nineties.  This section was published in Confluence a few years ago.  It is unclear if he will do anything more with the project.  It’s too short  to stand on it’s own and too long  to be a short story, but Shannon has no desire to change the story in any fashion.

Continue reading Salt & Pain »»

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When Bored at Walmart

Here are a few ways to entertain yourself the next time you find yourself at Walmart and losing the fight for your sanity. Shannon has personally tested all of these methods at some point in his life, so he can vouch for their therapeutic and medicinal effects.
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Fell

Written on September 11th, 2003

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Soul Mates

Since I learned the words to ask the question, I have wondered why I exist. As a child I imagined I was intended for something great, some awesome destiny. The feeling persisted into adolescence and adulthood, though by the time I was grown I had put it aside with other childish things. But the questions remained: Why am I here? What am I meant to do?

Pain taught me that it is wrong to live for another, to expect them to magically instill happiness and dispel all woes, but the same pain made me believe in the existence of soul mates. I realized that a woman exists out there somewhere who I can love better than anyone else, a woman who will never be whole without me just as I cannot be whole without her, and to find her, to complete us both – well, that would truly be a great and wonderful destiny.

And so that is my answer to the question.

Why do I exist? I exist because you exist.

Since the day I was born, I have carried and protected a piece of your spirit within me, just as you have part of me inside your heart. It must be this way because we both have our moats, walls, and traps to keep the world at bay. The part of me that is in you will open your heart from the inside, just as your spirit in me will allow you to walk through my walls. I have no defenses against you, no protection, but I do not fear you because to hurt me is to hurt yourself.

I have a puncture in my heart that flares with pain like an angry sun. It is a hole without bottom, a gaping maw that can drink oceans and still thirst, devour planets and still hunger. You are the only one who can mend it. You have the missing piece. I know you understand me. I know you have emptiness in you as well. You must, because I have the missing shard right here with me.

You will know me when you find me.

I am the one who holds peace in my hands.

In the darkest night, you are safe in my arms. No shadow will have you while I breathe.

I am the one who knows you are still a child inside, and I love you for it.

I am the one who will accept you, never judge you.

I am the one who will give you wings to fly.

I am the mountain that will protect you when you tire of flying.

I know how to touch you before you even know yourself.

I can give your body everything it craves.

I can cherish everything your body can offer.

I am the scent that lingers in your mind as you wake.

I am the voice you hear as you drift into sleep.

I am the reason you sometimes smile or laugh without knowing why.

I am the bird in the cage of your heart, always singing, never letting you abandon your search for me.

I am the one you see when you stand before the mirror and look into your own eyes.

I am your friend and your lover, your knight and your fool, your angel and your demon, your master and your slave.

I am me.

I am yours.

* * * * * * * * * * * * * * * * * * * *

Author’s Note: I wrote these words in 2005.  At that time I didn’t think they were written for anyone but me.  I wrote them just  to get  the words out of my head where I could see them and deal with them.  Since then, many people have read this and taken what they wanted from them, but the work still belonged only to me, or so I thought.  I now realize that these words were never entirely mine.  They also belong to  the woman I described.  No matter what happens in the months and years to come, these words will always belong to my Lovely Lady.

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Protected: Shadow Infraction: The Pet

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The End of Innocence

“The End of Innocence” has also been called “The End of Childhood.” Regardless of what you call it, most people find it humorous. This story won first place in the humor category of the 2006 WV Writers’ Competition and will be printed in an upcoming anthology, a “Best of” collection of the contest’s finest winners over the last ten years.

Continue reading The End of Innocence »»

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Shadows of the Armored Icarus (2005)

See me here, a silhouette clad in
old grief and pessimisms
like blackened steel armor
barbed with cynical razors.
Behold me and you will know:
to touch me is to bleed.
Unstoppable and immovable;
hollow and terrible –
more a shadow than a man –
I was not always so.

Once I beheld a goddess in all her glory.
I did not know my heart still lived
within my chest until she
commanded it to beat.
Her memory whispers still,
Redemption is ever at hand.
Love and light are all around,
if you will only come out of
yourself to see.

She is the evening star,
too bright for me to hold.
With a mere glance or word she
might burn my wings to ash,
and I have no wish to play
Icarus again. The fall is too far.

I soar higher nonetheless,
Eyes upturned, arms outstretched.

When I plummet to earth,
flaring brighter and hotter
than even Lucifer blazed,
when I slam headlong into
solid rock bottom for the final
time, how silly and worthless
my fancy dark armor will be.

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Kissing the Leaf (2001)

Winter is coming, so the Winds say,
as they whisper out of a Sky of fading blue.
i kiss a Leaf now at the end of the Day,
and close my eyes to remember you.

the Sun drags low in the sky, bleeding
its hues of gold and red across the Clouds.
an aching place in my heart is needing
you. into the Night i speak your Name aloud,

as if it were a charm or chant or spell
that could summon you to this place.
in its sound, as i whisper it, i can still smell
your Hair; in its tune i can still see your Face.

while we breathe, these words have no end.
while we live, our bond will never die .
i’ll wait here for your Kiss on the Wind,
alone and cold under this autumn Sky.

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Grey Hairs (2005)

I was fourteen when I asked Dad about his beard.
I wanted to know why it was already so grey.
He said, “I have one for every worry, hurt, and fear.
Listen a minute, and I’ll tell you how it got this way:

“I spent two years killing gooks for Lyndon.
The shrink said I was sane, according to the law.
The priest said not to worry, that I was forgiven,
but they never did what I did or saw what I saw.

Your mom kept me sober when she could,
but I don’t remember the 70’s very well.
I fought and drank and was just no good.
It didn’t matter; I’d already been to hell.

“I stopped drinking in 1980, sat down and cried
when Led Zeppelin buried Bonham and disbanded.
In ‘81 I nearly smiled when the Liar nearly died,
but he lived, and they had Hinckley red-handed.

In ’82 the Feds immortalized my fears
with a shiny long wall in Washington D.C.
I had flashbacks and nightmares for over a year,
until well after we took Grenada in ’83.

“Union Carbide killed thousands of Indians in ‘84
while vats of the same poison sat 200 miles from us.
In ’85 the Cola I loved changed forevermore.
I switched to coffee rather than drink that puss.

I’ve gotten plenty of grey hairs, and quite a few
whites, thanks to you and your three brothers.
Your mom has her name on plenty of them too,
but I don’t mind any of them like I do the others.

“And there’s been more reasons for these hairs, boy.
You’ll never know all the things your daddy’s done,
but I’ve fought hard to win every moment of joy.
The scars and grey hairs have just piled up one by one.

Some day you’ll step back and ponder
on how surviving got in the way of living.
You’ll look around, and you’ll wonder
at all the sweat and time you’re giving.”

Dad paused and stared at his miner’s belt.
He looked at me, and then at his hands.
I asked him then what he thought, what he felt.
He said, “Some day you’ll understand.

There are terrible dragons in this world, son,
and no matter how you try, they can’t be beaten.
Be smarter than me. Learn to ride them. Hold on
for dear life and do your best not to get eaten.”

That day I was too young and too dumb to listen or care,
but now I think back often to that day and what he said
when I look at my reflection at night and count the grey hairs
that pile up way too early all over my head.

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Nine-Tenths of the Law (2007)

Michael looked into Ruth’s
dark, soulful eyes
and almost regained
faith in Jesus.
he wanted her,
deserved her,
but didn’t know how to ask.

Reznor sang,
“my whole existence is flawed.”

she danced with her man,
Michael’s brother,
an oxygen thief.
stupid. fragile. soft.
Unworthy.

their bodies melded,
welded as they
gyrated to primal rock.
naked feet stomped
tongue-and-groove oak
in time to the beat.
her ass ground his crotch.
his hands clutched her hips.

Reznor screamed,
“you get me closer to God.”

Michael left the party,
joined Solitude and Darkness
in the november night.
no coat, no shirt, no peace.
the Moon transmuted
snow and ice into ivory fire.

no shadow dared conceal
Hell’s lust in his eyes.
steam rolled like smoke
off his shoulders and neck
as he strode up the mountain.

not caring that his inner
demon had manifested,
he walked the ten miles home,
each step a contemplation
of Cain’s fury and sin.

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From Michael

Shannon received this comment via email from a man who read Soul Mates. It is the most amazing thing anyone has ever written to him about his writing. Continue reading From Michael »»